As I said in this post, I promised a long while back that I would put my Eroticon slides up here, for the benefit of people who weren’t able to attend, as well as those who want to refer back to them for any reason.
The slides can be accessed by clicking on the link below, and the bullet points underneath summarise what I said in the session. Below that, you’ll find the reading list I handed out, a TED talk I think everyone should watch, and below that, two posts that I know were written after my session. If anyone else has written anything disability related as a result of my session, or if you choose to have a go at the exercise at the end of the presentation, please do let me know and I’ll link your piece up to this post, if you’d like me to.
Session notes and slides
- Start by trying to identify what the author is trying to say about disabled people in each of the books/films on slide 2. The answers are on slide 3. All of these are ways in which disabled people have historically been portrayed in fiction which should now be avoided.
- Look at the TED talks on slide 4. All, with the exception of ‘I’m not your inspiration, thank you very much,’ have the keywords inspiring, fascinating, courageous, beautiful. These are the words able-bodied people tend to associate with disability – but ‘inspiration porn’ is just as damaging as any of the old-fashioned stereotypes, because it treats disabled people as examples, not as people.
- Slide 6 shows why The Theory of Everything is a great example of how to write disability (although it’s important to be aware that some disabled people object to the use of an able-bodied actor to play Hawking). Stephen Hawking has more than one challenge in his life – the conflict in the story centres not only around his disability, but also his relationship and job. i wrote about the film in more detail here.
- Don’t be tempted to make disability the character arc in your novel – very few disabled people do get cured, or end their lives, or completely come to terms with their body in the space of the time period covered by a novel or short story. Make disability part of their character, but not a part that necessarily has to be resolved or changed. Give them a plot other than their disability.
- Slide 11 is the intro to a writing exercise using this amazing Girl on the Net guest post as a prompt. Look at how in the post intro, Girl on the Net doesn’t focus on the disability at all – the writer is disabled, but the focus is the lift, the snogging, the botanical gardens. Do any of these things inspire you? Can you take the post as a starting point and flesh it out to make it a full length short story or piece of flash fiction with a plot arc, rather than a vignette, as per the original post?
10 Things Fiction Writers Need to Remember About Disability (1-5) http://blobolobolob.blogspot.co.uk/2012/07/10-things-fiction-writers-need-to.html
10 Things Fiction Writers Need to Remember About Disability (6-10) http://blobolobolob.blogspot.co.uk/2012/07/10-things-fiction-writers-need-to_10.html
Dear able-bodied partner…
Every body: glamour, dateability, sexuality & disability | Dr. Danielle Sheypuk | TEDxBarnardCollege
Getting it wrong – writing disability in fiction
I am not here to inspire you
Kaufman, M, Silverberg, C, and Odette, F. The Ultimate Guide to Sex and Disability: For All of Us Who Live with Disabilities, Chronic Pain, and Illness, Cleis, 2007
Know me where it hurts: sex, kink, and cerebral palsy
Leandra Vane – disability & sex stigma
Moving beyond the stereotypes
Silent stares and rude questions: the disability minefield
Why we have to create more disabled characters in children’s fiction (yes, it’s about children’s fiction, but the advice at the end applies more widely)
Writing the Other
Stella Young: I’m not your inspiration, thank you very much
Posts inspired by the session
Unusual Liaison – Rachel Kincaid
Disability and sexuality – writers we love: Hot Octopuss