Katy

I’m doing an online writing course at the moment – as ‘real me’ – and this week, for homework, we had to write up to 800 words taking a stereotype and portraying it in a complex way. I only wrote 500 words for that homework piece, but tonight I’ve been working on it some more, because sure, I only dreamt Katy up for the Smut Marathon, but you know what, since then I’ve kind of fallen in love. So here she is again, fleshed out a bit more…

***

There is nowhere in the living room for anyone to put down their cup of tea. Every surface is covered with cards – Congratulations! Good luck!, A New Baby Girl! – or flowers – big pink lilies, ripe with pollen, roses still in bud and the first tulips of the year. There’s a fancy cake from the local independent bakery and champagne for those who want it. Katy has half a glass, but no more – that way she knows it will have worn off by the time her daughter is ready for her next feed. Sarah teases her for this – Katy could always put away a bottle of fizz, two even, on a particularly good night – but really, no one is surprised. Katy adapts. At parties, she’s a party animal. At work? Professional as fuck. And in the bedroom? Filthy. Her friends know that because she tells them, and they have no reason to doubt her. She’s honest about who she is in every other area of her life, so why would she lie about how much she likes sex?

She’ll be good at motherhood, obviously. The cards might say good luck, but ultimately, her friends know she doesn’t need it. Everything Katy touches to gold. She graduated from Cambridge with a first-class maths degree, a place on a hugely desirable grad scheme and a boyfriend who not only equalled her in ambition, but also adored her. Plus, somehow, alongside her drive to succeed, she’s always made the time to have fun. Lots of fun. And now, after a straightforward eight-hour labour, she’s the mother of a baby girl. A baby girl who, at barely a week old, already sleeps through the night. A baby girl who is just as beautiful as Katy herself.

But on some level, her friends can’t quite believe it. She never seemed to have the kind of sex that would make babies, is what everyone is secretly thinking. Katy used to fuck so hard she’d make the walls shake in their university halls. She was a shrieker, never afraid to let people know what a good time she was having, and when she needed to pee after sex she’d walk to the loo stark naked. Girls were afraid to invite their high school boyfriends to stay for fear that, if they turned their back for one moment, they’d disappear, only to turn up in Katy’s bed, apologetic, sure, but ultimately unrepentant. And yet, other women didn’t dislike her for the way she behaved. Katy didn’t care what anybody thought and they loved her for it.

No one expected her to be settled by twenty-six, though. It’s been the topic of everyone’s group chats for months. How has she managed to have everything so sorted so soon in her life? Where were Katy’s fucked up years? How has she managed to bypass a whole shitty decade while everyone else still feels like they’re wading through treacle, barely able to feed themselves, let alone a kid? Because sure, Tom’s a nice guy, and he’s good-looking, too, but it seems like only last week that he and Katy got caught fucking in the jacuzzi at the hotel where her parents’ 50thwedding anniversary celebrations were being held. It was her cousin that stumbled in on them – her cousin who was sworn to secrecy but still ended up sharing everything on Facebook in the end. Even Katy’s mum found out. And yet, somehow, she got away with it.

Because Katy sails close to the wind, sure, but luck is always, always on her side.

Three months later

Her friends still love her because, when she’s with them, she doesn’t seem like a mother at all. Even when she brings the baby, she’s the Katy she always was. It’s just that now her tits are on show for a different reason.

Tonight, she’s childfree. Tonight, she’s late. Tonight, she has that just-fucked look in her eyes.

Tom follows her, clutching a bottle of red. He’s wearing jeans, a checked shirt, and, as of thirty minutes earlier, Katy’s juices, smeared from jaw to collarbone.

‘Filthy boy,’ she’d said, fingers on his neck as she lifted herself off his cock. ‘Filthy, filthy boy.’

At dinner, the wine flows. The laughter grows louder, the conversation sillier. They play ‘I have never,’ and Katy has done it all. Anal sex? Obviously. Threesome? That too.

During spin the bottle she winds up kissing Mike. Mike is her best friend’s husband. Nobody minds. Kissing boys is what Katy does.

The evening winds down. They drink coffee. Someone asks, ‘Bit dark, but if you could only save one thing in a fire, what would it be?’

‘Tom,’ Katy says, when it’s her turn to answer. ‘Obviously.’

Her friends are silent.

She doesn’t seem like a mother at all.

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Flawed

In the comments on my last post, someone suggested that maybe I should try to write a ‘flawed’ disabled character in two hundred words. It was a good suggestion.

It’s also, as I acknowledged in the post, really damn hard.

Plus, I think my real flaw, as a disabled person, is not my disability. It’s all the toxic ableism I’ve allowed myself to internalise. That internalised ableism makes me hate my body, it lies to me, it tells me I won’t be loved, won’t be desired.

And I think – hope – it’s a flaw that will resonate with other disabled people. We’ve all done shitty stuff in our time – lied, been mean, pushed someone away – because of shit of our own that we’ve not yet learnt to deal with.

That was what I wanted to write about. The problem is, I already had.

In my novel, which is still a work in progress, the main character does exactly that. She jeopardises a prospective relationship because of the ableism she’s internalised. Right now, I can’t envisage writing anything that captures that more vividly than the bit where I wrote it in the novel, so I thought I’d share that with you instead, being careful to stick to the two hundred word limit.

***

He sits a little too close, my knees between his. We share a cheeseboard, get another bottle of wine. I’m wary, because I like him – I’ve liked him since we started talking online – and I don’t want to make the mistake I always make with guys I like. I don’t want to sleep with him tonight.

We’re a bottle and a half down when I excuse myself to go to the bathroom. I almost have to stop myself from shimmying across the bar. I feel invincible, beautiful, fuckable. When I return, he’s watching me.

‘You’re limping?’ 

Oh, bugger.

I limp because I was starved of oxygen at birth. It’s not a big thing in the scheme of things, I guess, but it’s a big thing to me. In fact, it’s a little more complicated than just a limp – the whole of my left side is weaker. Although my body has learned to compensate, there’s an awkwardness, a lack of dexterity, a clumsiness to my movements that I’ve yet to reconcile myself with. 

‘I twisted my ankle.’

‘Ouch! How?’

‘Dancing at the weekend. You know, stupidly high shoes, too much wine …’

I can’t wear stupidly high shoes.

He buys the lie.

***

Where I stand (On disability in the Smut Marathon)

I was nervous about Round 3 of the Smut Marathon. In fact, scrap that – I’ve been nervous about every round. But this was different. In previous rounds, I’ve been nervous about the voting. This time? It was reading what everyone else had written that had me anxious.

Character flaws are fascinating to me. I’d be the first to tell you that I don’t like ‘body beautiful’ erotica, and that extends to personalities, too – I prefer characters who struggle with anger, self-confidence, conforming to social norms. Characters who battle with mental health issues. The fact that the word ‘flaw’ is so subjective, because after all, aren’t we all flawed in some way?  This should have been a round that suited me down to the ground.

Except – as I said to someone very shortly after receiving the assignment – it didn’t.

I didn’t want to read about disability.

For the benefit of Smut Marathon participants who may not usually read this blog or who don’t follow me on Twitter, I identify as disabled. I have left-sided hemiplegia, which is a type of cerebral palsy, caused, in my case, by brain damage at birth. My left leg is an inch shorter than my right, so I walk with a limp. I trip over a fair amount. I struggle with my balance. I lack dexterity in my left hand. My mental health is also compromised – maybe because of the brain damage, maybe not.

It’s not difficult to live with, in the grand scheme of things. And yet, it can be fucking impossible to live with nonetheless.

And so I didn’t want to see, in the competition, any character whose flaw was disability. The world tells disabled people that they’re undesirable every single day. We don’t need to see it reinforced in fiction, too.

What I really didn’t expect, though, was to see a disability that could be mine. A character with ‘a heavy black lift in his shoe,’ a lift which was, nonetheless unable to ‘hide the limp’. I blanched. I freaked out a bit. I had, as is typical for me, a bit of a rant on Twitter.

I had said, on more than one occasion, that if this happened, I would withdraw from the competition. I feel that strongly about it. And yet, I haven’t. I’m uncomfortable with it, absolutely, but the more I’ve thought about it the more I’ve realised that part of the reason why I’m uncomfortable is because I don’t quite know where I stand on this issue.

My main problem with the piece is that it doesn’t reframe disability as desirable. It tells the reader two things – that a) one person is capable of seeing past the disability, but this is the exception, not the rule (‘They saw disqualifying weakness’) and b) that the woman sees past the disability (‘What their pitying stares missed, she always saw. They missed the way his hazel eyes changed like quicksilver as his lips took control of hers, kissing her with careful command when he reached her. They missed his piano playing fingers, long and warm, brushing higher and higher up her thigh…’) The disabled man is desirable in spite of his disability, not because of it. And it’s writing that shows someone as desirable because of their disability that would really push the boundaries.

And yet. I’m not sure it’s possible. I’ve certainly never managed it.

There is good writing out there about disabled people making their peace with their bodies (one of the things that saddened me in Round 3 of the Smut Marathon is that the pieces about characters with physical flaws were not generally written from the viewpoint of that character). This wonderful piece by Keah Brown is excellent on that topic. But even there, Keah acknowledges that it’s difficult: ‘Admitting that there is comfort in pain is a strange but necessary truth. Happiness and acceptance still take more work for me, and that is also a necessary truth.’

Last year, I wrote an erotic short story about a character who also shares my disability, which can be found in the anthology Goodbye Moderation: Lust. It confronts the issue of disability head on, I hope – I really wanted to write something that didn’t shy away from my true fears:

“‘Tell me again,’ he says, ‘which words you wanted me to say.’

My voice is barely even a whisper. ‘Spastic,’ I say.

‘Say please.’

Jesus, really? There’s an uncomfortable pause.

‘I’m not doing anything until you ask nicely.’

‘Fuck. Okay. Please.’”

The problem is, I felt obliged to close that story in a more optimistic and palatable way, not just for the reader, but for myself, too. I couldn’t envisage a world in which disability, or disabled slurs, could be repositioned as sexy. I could only conjure up a world in which an ablebodied character helps the disabled character to make their peace with their disability:

“On my back, the words are different. Down my spine, they read:

Beautiful

Hot

Incredible

Strong

Mine

The tears start all over again as he gathers me in his arms and rains kisses all over my face, my neck, my hair.

‘That,’ he says. ‘That is what I see. None of the bullshit you made me write. When will you start to see that? It doesn’t matter what other people see. All that matters is what you see.'”

My male character sees past the disability. He wants the disabled character to see past the disability. Neither of them can envisage a world in which someone is actually able to see disability itself as hot.

It doesn’t stop me really wanting to read a story where someone does.

How raw is too raw?

This is (another) post about Smut Marathon, but it doesn’t start with Smut Marathon. It starts with a project the other me – the real me – is working on. A novel.

Early in 2017, I finished the first draft of a novel I’d been writing, on and off, since late 2015. This weekend, I was on writing retreat, chomping through a few more chapters of the rewrite. It’s slow going, but writing is slow going, especially when, like me, the reasons why you’re not sure if you ever want this particular project to be out in the world threaten to outnumber the number of chapters in the book itself. Also, I’ve written first drafts before, but a second draft of something? This is new.

I’m a sucker for a creative writing course. I love the company of writers, their passion, their opinions, their willingness to talk books for borderline unhealthy periods of time. What I wanted, desperately, when I moved onto Draft 2 was a rewriting course, or an editing course – was something that would tell me what the hell it was I was supposed to be doing. How was I supposed to know where to start? But also – how would I know when it was done?

It turns out that nobody can teach you that, or, at least, it’s a lot harder to teach someone to rewrite than to teach them to write in the first place. It’s a pretty personal thing – one great editing course I did do, lots of which I’ve put into practice, suggested that, when you  get bored of editing, you should rewrite any bits you know aren’t working from scratch, to give your creative brain a look in.

It’s a nice idea, but it doesn’t work for me. I’m a very linear writer – I go back and tweak, sure, but major rewrites of sections, especially when taken out of the context and order of the whole piece, are a disaster for me. I can’t write scenes and then retrospectively impose a structure.

Another thing I’ve considered, but abandoned, for reasons that will hopefully become clear later in this post, is rewriting from scratch. In some ways, I like this approach. You read the scene/chapter/story/whole fucking draft/whatever, then you go away and rewrite it in a separate document.

The advantage? You don’t cling to anything just because it’s there on the page already.

But my fear? You lose something this way.

So, how does this link to the marathon? In a number of ways, I think.

Firstly, there’s the very sensible tip that Marie sends out with each round:

Start writing your piece as soon as possible after receiving the assignment. Let it rest for a while, then start editing, deleting, rewriting. Never leave it until the last moment to start. 

What’s great about the tip, in my opinion is that ‘editing, deleting, rewriting.’ You have to find your way – we have to find our way – and you may find it easiest to do one, two or all three of those things.

But there’s also something to be said for leaving the damn thing the hell alone.

A lot of writers in the Smut Marathon, myself included, have been picked up on our use of grammar, and I’m afraid that’s something I don’t have a lot of time for. Grammar matters. Spelling matters. But when you’re telling a story, what matters most? The story.

In the last round, I voted for pieces that had a distinct plot, because that, to me, is the real challenge of writing something in a hundred words. Do you have a beginning, middle and end? Can I feel your story in my gut? Because, unless your sentences are so long that I have to revisit them to make sense of what you’re trying to say, unless your grammar and/or spelling are noticeable enough to pull me out of the story? I’m going to let it go.

I’m not a judge of the SM, obviously, so maybe it’s not my place to say, but I worry about the number of writers who’ve taken the grammar feedback – and seemingly little else – to heart.

In real life, I’m an editor. I’m trained and I work for a company that takes itself pretty bloody seriously. I don’t edit fiction, which is why all of this comes with a proviso, but I do know how to break a piece of work down and prioritise the right stuff.

I’m not paid to look at grammar and spelling on my first pass through anything. No company wants to spend its money having someone get this stuff perfect until the structure, the body of the thing, is in place. The same goes for fiction. I’m not saying spelling and grammar don’t matter – they do, they’re what make work look polished – but the idea, the plot, the characters? They matter so much more.

On Sunday, I shared At Peace, the original micro fiction I wrote for round two of Smut Marathon and ended up not submitting. Maybe I made the wrong choice, maybe I didn’t (Little Pyromaniac, my alternative piece, did absolutely fine), but two things struck me:

  1. In general, people who follow my blog, rather than the Smut Marathon, preferred At Peace
  2. There wasn’t the huge gulf in opinion between the strengths of the piece I edited to death (LP) and the one I barely, if at all, touched (AP).

Which brings me to the key point of this post. I said, after round one, that I wanted to take more risks, and Little Pyromaniac is the riskier of the two stories, in method, if not in content. It’s a perfectly fine story but I interrogated every word to the point of exhaustion. At Peace is the story that came from my heart, so maybe it’s no wonder it’s more raw, and seems to resonate more.

That rawness has a value. It has an energy. It’s drenched in you as a writer. Don’t clean your writing up so much that you wipe all the you off it.

I wanted to end with something I’ve been sharing on Twitter a lot recently, a piece of advice given in a writing workshop by an author whose work I love, Garth Greenwell. He said, ‘No good comes from listening to the opinion of people who are unsympathetic to your project,’ and it’s the most sensible thing on feedback I’ve ever heard. People who sympathise with your project will criticise it, as they should, but they’ll have good to say about it too. You’ll know.

In the early rounds of the Smut Marathon though, I feel like it’s harder to know. The challenges are fun, but they’re short – who knows what your bigger project is? (Although shout out to the judges who pointed out where they could see the potential for one).

All any of us can hope for – in the next round or any of the remaining seven – is that out there, among the voters, there’ll be people who are sympathetic to our projects.

Listen to them. And the rest? Let it go, and keep writing.

Smut Marathon Round 2

As those of you who follow me on Twitter will have seen, I’m having issues with the Smut Marathon today – it’s causing me levels of anxiety that even I didn’t foresee and I’m having a long think about whether carrying on is the right thing to do (it probably isn’t, which means I almost certainly will – being kind to myself is something I am *not* good at.)

Anyway. I wrote two possible entries for Round 2, and I was really pleased with the one I submitted (and it got positive feedback, which backs that up, and is always nice). I’m not going to lie though, I was disappointed with how it did overall.

So, here is both it, and the other piece I wrote. Which do you prefer? Should I have submitted the other piece?

Little Pyromaniac

‘Stop it.’

The restaurant is fancy and my behaviour is inappropriate, but I can’t help myself. I poke at the candle, watch as molten lava flows down its sides.

‘Little pyromaniac,’ he growls. ‘What did I tell you?’

I like to play with fire.

I break off bits that are newly solid, let the orange heat lick at them until they are liquid once again.

Suddenly, my game backfires. The candle splutters, dies.

‘Right,’ he says, ‘come with me.’

Outside, around a corner, we find ourselves hidden in the shadows. His lips meet mine. His hand closes around my throat.

My body melts under his touch. He is the flame, I am the wax, I am fluid beneath him, I drip, drip, drip as he burns me with his desire.

At Peace

She’d taken two week’s leave from work, though the doctor had offered a note. It was easier like this: no questions, no sympathetic smiles, no loss of the person she’d once been.

With him, it had been harder. ‘Talk to me,’ he’d murmured, more than once, and she’d tried to smile through her tears.

‘It’s best if I work through this on my own.’

She booked a cabin, not far from Inverness. For five long days, she read, ate and slept alone.

By Friday, she knew it was no good. She needed help. She changed her flight.

That night, his flogger painted her cunt into a sunset, glowing between the mountain-purple shadows of her thighs.

On Corrupted

In my head, there are a handful of ideas for anthologies I’d like to edit one day. Most of them are far simpler than the premise behind Corrupted.

Erotica is already good at being a feminist genre, in my experience, so putting a call out for feminist stories didn’t feel different enough. I wanted to do something that celebrated how far women have come – how much we’ve overcome – to get where we are today.

And that’s what Corrupted is all about. It’s a super contemporary celebration of women’s liberation –  of same sex and non-binary relationships, of disability, of technology, of women’s suffrage, of women breaking the same rules that men have broken for so long now – sometimes getting away with it, and sometimes not.

When the call went out, I had an idea of how the finished collection of stories would look. In reality, it’s a very different anthology, but in a great way. In choosing the final line up, I’ve tried as far as possible to make sure it’s truly representative of womanhood and not just a white, straight, middle class, cis representation of being a woman.

There’s an extract from my story in the anthology below (which I’ll admit is cis, white and middle class, but hopefully in a tongue in cheek way). All that remains is for me to say two things

1) Thanks so much to all the authors and to Anna Sky at Sexy Little Pages for all their hard work – it wouldn’t be what it is without you.

2) I really hope you like it (please review it if you do!).

 

Your Vote Matters – Charlie Powell

“Susie?” he asks, thrusting the hand that’s not clutching a sheaf of leaflets in my direction. “May I call you Susie?”

Risky strategy, I think. The Labour representative who canvassed me two days earlier called me “Ms Smith” and didn’t try to be all chummy. This guy though, the Tory candidate himself, has clearly decided that keeping it casual is the way forward. Charm is oozing from him like butter from hot toast.

I like charming men. I even like charming men who happen to be Tories. No, wait, I especially like charming men who happen to be Tories. I know, I know. I hate myself sometimes, too.

“I guess,” I say, my gaze dropping from the blue rosette pinned to his jacket to the white shirt and red chinos he’s wearing underneath.

“Good, good,” he says. His voice is pure Oxbridge. “Oliver Tamworth, Conservative candidate for Green Park North.”

“I gathered,” I say, gesturing at the rosette.

“May I ask who you’re planning on voting for?” he continues, flashing me what I imagine is his most ingratiating smile. “Can we count on your support?”

I smile back. “Of course.”

I’m a really good liar.

He beams. If I didn’t know better, I’d think he hadn’t had much luck so far tonight, but this cannot possibly be the case. After all, Mr Green at number ten is convinced single mothers “take far too much from the system and don’t pay a penny back in”—even though I know for a fact that the three mums on this street raising kids on their own work every hour god sends. I once overheard Mr Johnson at number fifteen telling someone he’d voted for UKIP, only to follow that up with “Oh no, sorry, I meant the BNP”—it’s been five years since that election and I still scowl at him every day on the bus—and Mrs King who lives on the corner “thinks people have too many human rights.” I don’t even know where to start with that one.

“Great!” Oliver says, seemingly staring straight at my tits. I should slam the door in his face. “Let me give you a leaflet anyway. It’s got my email address at the bottom and the number for my team, so if there is anything you’d like to discuss before election day, don’t hesitate to get in touch. Your vote matters to us, Susie!”

Sharing by @Kris_Gallagher

The below is an entry for #FreshlyPolished by @Kris_Gallagher.

Sharing

It had long been on her list of desires, and they’d talked about it from time to time over the years but never acted on it for one reason or another. That year he decided it was definitely going on the agenda,they were getting more experimental in their sex sessions,and the time was ripe to add another woman to their bed.

Finding a suitable guest for the encounter was tricky,as was finding the right time for it to take place. Fortunately aesthetics weren’t an issue as they had always shared a similar taste in women. As varied as those tastes were,there had always been some overlap. It took a few attempts, one or two casual meetings that lacked chemistry before they found the willing guest to invite into their bedroom antics. An ad on an adult orientated site had led to them meeting, but until she saw their guest playing with her blonde hair and smiling across the table of the coffee house they had met at, R hadn’t been sure about the whole idea moving from fantasy into reality. Now she felt a grin tugging on her own lips,thinking about the fun that lay ahead. Even as she kissed her goodbye, R felt a thrill from feeling a nipple piercing pressing against her,and unexpected bonus to proceedings. Arrangements made, they two ladies parted ways for the time being.

The night of the encounter arrived,and he had glasses of imported bubbly poured for the ladies, a bourbon old fashioned for himself whilst R was in the shower. The bedroom was set but he felt the need to sit and relax before sharing the woman he adored. Open minded though he was,sometimes jealousy could kick in unexpectedly. He and R had already discussed limits with N, going over certain ground rules to try to keep everyone at ease. . He heard R finish up in the shower,and grinned as he saw her exiting the bathroom in a sheer white nightgown that he always loved seeing her in. He had just handed her a glass when the buzzer went,announcing the arrival of their guest for the evening.

R made herself comfortable whilst He buzzed N up,unlocking the door to greet her. A welcoming hug and a quick kiss on the cheek were enough to hide his sudden onset of shyness. N made her way to the sofa beside R and leaned in for a far more adventurous kiss as N undid the ties of her overcoat. Whatever was on display clearly worked for R as she grinned,pulling N closer as she did so. Finding himself somewhat surplus to current requirements, He made himself at ease on the other sofa and settled back to enjoy the view of the woman he adored worshipping another woman. The glass cradled in his hand was enough of a distraction to settle his nerves as R kissed the throat of their guest before slowly making her way downwards. A glint of colour between his lover’s thighs caught his eye in the dim candlelight. Being the tease that she was,she was wearing her jewelled plug and had painted her nails to match. K leaned forward on the sofa to get a better view as her fingers tapped against the plug and her waiting cunt. He watched eagerly as she slid her fingertip along her vulva,almost beckoning him closer before wagging her finger to tell him “No,not yet” as N ran her fingers through his lover’s hair,leaving him to watch on the sidelines,sipping on his bourbon and trying to ignore the growing stiffness in his jeans.

K sat,watching impatiently,as R pushed the thighs of N wider apart. R was clearly revelling in the task at hand because K could see her fingers slick with her juices as they worked at her vulva. Fucking hell did he love that sight. It wasn’t long before K found himself reaching for a condom to slip on and join the ladies as they moved from the sofa to the bedroom…

K’s memories of the following hours were a tangle of limbs and snapshots of the action unfolding,his clearest memory being that of fucking R in her throat as her head hung off the side of the bed whilst N was sucking on her clit. He was happy to let the ladies dictate the pace,this was R’s evening and he was more than satisfied watching it unfold to her pleasure

After their guest had left,he crawled back into bed,nestling behind her naked curves,his body fitting perfectly as it always had. His hand found hers as he kissed her neck,a grin on his lips as he slid back into her. Some things were just too good to share…

Cute as a button by @IAmAnnaSky

The below is an entry for #FreshlyPolished by @IAmAnnaSky.

Cute as a Button

The touch of her hand as she brushed mine made me look, but I dismissed any ideas as soon as I glanced up. The waitress was cute and contemporary, suited to the hipster coffee shop but not my type. But the prolonged contact between us, before she pulled away, intrigued me.

I reached out to catch her wrist and felt the flutter of her pulse against my fingers. She relaxed into my grip, seemed to welcome it. When I searched her face, her eyes told me a different story from the colourful, carnival veneer of ink on her forearms.

A look of relief flashed across her face when she recognised the facade of tattoos and piercings didn’t fool me. I knew she wasn’t invinvible. Her eyes told me she was vulnerable, wanted someone to love her, protect her, but make her feel alive. In that brief moment as our eyes connected, I wanted her. It made me feel something I’d not felt for a long time. An aching hunger in me rose.

I scribbled my number on the back of the receipt, left a tip and left, thinking I should forget her. But she stayed in my head. And later on, when my phone showed an unknown number calling, my hand shook as I answered. My hands never shake but somehow, this time they did. It was her.

She came over that night and allowed me to worship her. I laid her on my bed, tied her wrists and moved my mouth over every inch of her body. She moaned and writhed beneath me. And I kissed and sucked every inch of her, from her shoulders to her soft belly, to her sensitive inner thighs. I massaged her calves and insteps, feeling her unwind beneath my hands.

I kneaded her shoulder and her breasts. Pinched her nipples and watched the bursts of hurt transform into pleasure. Raking my nails up and down, I left angry red marks and then soothed them better. Pleasure. Pain. Pleasure. Pain. Until they were one and the same in her head.

And when she couldn’t bear any more, I lowered my mouth to her cunt, pinching and massaging her labia to hold her open as I tasted her over and over. I found her sweet spot and when she shuddered with need, I slipped two fingers inside her. All the while, moving my tongue in tight little circles over her swollen clit.

When I curved my fingers upwards, stroking in that come-hither motion, she came so hard. She contracted in desperate, squeezing motions around my fingers. I kept my mouth on her, my fingers steady, the aftershocks carrying her to somewhere else. A total release. And when she was fully sated, I held onto her, whispering I would keep her safe.

I wanted to make her feel safe; I really wanted her to stay. I felt alive, invincible. Something I’d not experienced in a long, long time. She’d awoken a need in me, one that I thought was long-buried. All I could do was hope.

#FreshlyPolished: The Entries

The full list of entries to my #FreshlyPolished competition. Entries will be added as and when they’re submitted. Closing date is TBC, so there’s still time to enter. Enjoy!

  1. Coral Reef by @innocentlb
  2. Mint Candy Apple by @ella_scandal
  3. Barbados Blue by @hannahlockhardt
  4. In Stitches by @Kats_my_Name__
  5. Leading Lady by @mollysdailykiss
  6. Sexy Plunge by @His_Cub
  7. Frock ‘n Roll by @jillyboyd
  8. Cute as a Button by @IAmAnnaSky
  9. Passport to Happiness by Ruby Estella
  10. She’s Picture Perfect by @fdotleonora
  11. After School Boy Blazer by @notsosexintheci

Waitress

IMG_8964Northern France. August. Thirty one degrees and sunny. The town square laid out like the scene for a GCSE role play – charcutier, boulangerie, tabac, pharmacie – and barely any of it open for business.

‘Role play.’ The very words make her squirm, and he knows it. He is eyeing up the sign outside the shuttered bar, a busty blonde with cartoon blusher holding a board with holiday dates crudely chalked up on it.

‘Shame,’ he says. ‘I could just fancy a beer.’

They are staying in the hotel on the town square, just for a few days, and she can tell he’s itching to cause trouble. Trouble for her, that is.

She has a friend who likes the role play thing. Who frequently plays at being strangers with her boyfriend in the bars of top London hotels, only to fuck in a huge room, with a big bed, and an equally huge bill at the end of the evening. It sounds fine, she thinks, but it lacks the possibility of humiliation. Sadists trump strangers, in her opinion.

They head back to the room, and he rifles through her luggage. He finds a pink shirt, a short skirt. He lays them out on the bed. And then, without explanation, he disappears again, the heavy door slamming loudly shut behind him.

When he returns, he’s carrying a bag from the toyshop, which, inexplicably, *is* open, and a scuffed metal tray with a white cloth, two beers and two glasses. He makes her change into the shirt and skirt, without wearing a vest underneath, as she usually would. Her tits strain against buttons unused to containing them. The bag contains a plastic, jewelled tiara, meant for a little girl. She fights the urge to giggle.

He puts her hair up himself, pulling it tight before he secures it with an elastic, a promise of good things to come. Her NARS orgasm blusher, though, serves his intentions poorly – he cannot rouge her up in quite the cartoon style he’d like, but he does his best, and when she sees herself in the mirror she is duly amused and horrified in equal measure, because she suspects this spectacle won’t be confined to their room.

He fashions a makeshift apron from the cloth on the tray, asks her to step into the highest heels she’s brought with her and says, ‘J’aimerais deux bières au square, s’il vous plaît, mademoiselle.’

His French is good, but she has to force herself not to laugh at his accent. He’s not, she reminds herself, the one who’s supposed to be being humiliated here.

She gives him enough time to get downstairs and settle himself in. To be totally honest, she needs the time to psych herself up. She goes to the window, and looks out, trying to calculate the worst case scenario. There are very few people around, and from this angle she cannot she the tables where he’ll be sitting, but she can see an old man with a little dog, who she fears will wave his stick and shout at her only to then fantasise about her for weeks.

The stairs, narrow and winding, are tricky. The combination of the tray, which means she can’t see her feet, and the heels, make her anxious. But she makes it safely down, and is rewarded with a mercifully empty bar.

In the square, it takes her a while. She is looking for a single guy, but what she finds is a man – her man – sitting with a pretty blonde. She freezes. He beckons her over. He takes the beers, puts a 10 euro note on the tray. The girl he’s with looks bemused. She glances up. The old man looks away, pained.

And she scurries back up to the room, where she will wait, alone, for almost two hours, wondering if they are still just playing.